Wendell Erdman Berry
Wendell Erdman Berry (b. 1934) is an American farmer, essayist, poet, and novelist whose agrarian vision has deeply shaped environmental ethics, political thought, and religiously inflected philosophy of culture. Raised in rural Kentucky and educated at the University of Kentucky and Stanford, Berry returned to small-scale farming in the 1960s, making his life of work on the land inseparable from his intellectual project. In essays like "The Unsettling of America" and "What Are People For?", he offers a sustained moral and ontological critique of industrialism, consumer capitalism, and rootless mobility, arguing that human flourishing depends on fidelity to place, community, and the health of local ecosystems. Though not a professional philosopher, Berry has become a key reference for environmental philosophers, political theorists, and theologians seeking alternatives to technocratic modernity. He develops a thick account of personhood grounded in work, interdependence, memory, and limits, and links ecological degradation to a spiritual crisis of attention and gratitude. His fiction, set in the Port William "membership", dramatizes an ethics of neighborliness and shared fate. Across genres, Berry advances a coherent agrarian humanism that challenges dominant models of progress, growth, and abstract rights, influencing debates on sustainability, virtue ethics, communitarianism, and the moral significance of place.
At a Glance
- Field
- Thinker
- Born
- 1934-08-05 — Henry County, Kentucky, United States
- Died
- Active In
- United States, North America
- Interests
- AgrarianismEnvironmental stewardshipCommunity and placeCritique of industrialismSabbath and restSustainabilityTechnology and scaleLocal economiesVirtue and characterRural life and land use
Human flourishing depends on a humble, place-bound form of life in which people practice responsible membership in local communities and ecosystems; the industrial pursuit of abstract growth, mobility, and technological power severs persons from land, limits, and one another, producing ecological ruin and moral disintegration, whereas an agrarian ethic of care, work, and Sabbath rest can restore a truthful relation between humans, the earth, and the divine.
The Unsettling of America: Culture & Agriculture
Composed: 1974–1977
What Are People For?
Composed: mid-1980s–1989
Sex, Economy, Freedom & Community
Composed: late 1980s–1992
The Art of the Commonplace: The Agrarian Essays of Wendell Berry
Composed: 1969–2002 (essays composed over several decades)
Hannah Coulter
Composed: early 2000s–2004
Jayber Crow
Composed: late 1990s–2000
A Timbered Choir: The Sabbath Poems 1979–1997
Composed: 1979–1997
Our Only World: Ten Essays
Composed: early 2000s–2015
There are no unsacred places; there are only sacred places and desecrated places.— Wendell Berry, "How to Be a Poet" in "Given: New Poems" (2005)
Poetic assertion of the inherent value of place, often cited in environmental philosophy and eco-theology to support a sacramental or non-instrumental view of the natural world.
The care of the Earth is our most ancient and most worthy, and after all our most pleasing responsibility. To cherish what remains of it and to foster its renewal is our only hope.— Wendell Berry, "The Unforeseen Wilderness: Kentucky’s Red River Gorge" (1971)
Statement of Berry’s core ecological ethic, framing environmental care as both a duty and a source of joy, frequently invoked in environmental ethics and education.
A community is the mental and spiritual condition of knowing that the place is shared, and that the people who share the place define and limit the possibilities of each other's lives.— Wendell Berry, "The Art of the Commonplace: The Agrarian Essays of Wendell Berry" (essay originally 1990s)
Explanation of community as a lived field of mutual influence and limit, central to his communitarian critique of liberal individualism in political and social philosophy.
People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors.— Wendell Berry, "The Work of Local Culture" in "What Are People For?" (1990)
Diagnosis of cultural and existential malaise linking personal suffering to broader economic and social structures, used in philosophical discussions of alienation and the good life.
We must learn to see that every land, like every person, has a history, a story, a character that makes it unique, and that this uniqueness is its value.— Wendell Berry, paraphrasing themes from essays in "The Unsettling of America" (1977) and "Standing by Words" (1983)
Condensed expression of Berry’s view that both land and persons are particular and storied, underpinning his resistance to abstraction in environmental and moral reasoning.
Formative Years and Literary Apprenticeship (1934–1964)
Berry grew up in a multi-generational Kentucky farm family, internalizing rural lifeways and the land’s seasonal rhythms. University studies and time at Stanford and in Europe exposed him to modernist literature and urban intellectual culture. During this period he established himself primarily as a poet and novelist, experimenting with form while quietly absorbing the tensions between rural memory and modern change that would later structure his agrarian critique.
Return to the Land and Agrarian Turn (1965–late 1970s)
Settling on Lanes Landing Farm, Berry joined daily farm labor to literary production, turning decisively toward agrarian themes. Influenced by earlier American agrarians, ecological science, and Christian and classical notions of virtue, he began to formulate a systematic critique of industrial agriculture and centralized economies. "The Unsettling of America" crystallized his argument that the industrial treatment of soil, bodies, and communities stems from a shared metaphysical and moral disorder.
Mature Agrarian Humanism (1980s–1990s)
Berry articulated a richer philosophy of place, work, and community in essays like "What Are People For?" and "Sex, Economy, Freedom & Community". He engaged more directly with political and economic questions, arguing against both corporate capitalism and abstract state solutions in favor of local, neighborly, and covenantal forms of life. His Port William stories and Sabbath poems offered narrative and contemplative complements to his overtly argumentative essays, embodying his concept of membership and Sabbath rest.
Late-Career Ecological and Theological Reflection (2000s–present)
In later works such as "The Art of the Commonplace" (collecting earlier essays) and "Our Only World", Berry emphasized limits, restoration, and repentance as central categories for ecological thinking. His writing engaged more explicitly with Christian theology while maintaining accessibility to secular readers. He became a widely cited source in environmental ethics, eco-theology, and communitarian political thought, refining his critique of digital technologies, global supply chains, and militarized economies as expressions of a deeper refusal of creaturely humility.
1. Introduction
Wendell Erdman Berry (b. 1934) is an American writer, farmer, and cultural critic whose work has become a central reference point in contemporary discussions of environmental ethics, agrarian thought, and communitarian political theory. Writing from his small farm in Henry County, Kentucky, Berry has produced a large body of essays, fiction, and poetry that links care for the land with questions of economy, technology, virtue, and religious meaning.
Berry’s overarching concern is the relationship between people and places. He argues that modern industrial societies, organized around mobility, corporate scale, and extractive agriculture, have “unsettled” both land and culture. In response, he advances an agrarian ethic that emphasizes stewardship, local economies, and what he calls membership—the dense web of belonging among neighbors, land, and nonhuman creatures in a particular place.
Although not a professional philosopher, Berry’s work is widely used in environmental philosophy, theology, and political theory. Proponents see his writings as offering a thick, practice-based alternative to abstract liberal individualism and technocratic planning. Critics, however, question the practicality, historical accuracy, or political adequacy of his agrarian vision.
Berry’s importance for intellectual history lies less in novel concepts than in his sustained attempt to integrate work on the land, narrative imagination, and moral reflection. His Port William fiction, “Sabbath” poems, and agrarian essays together articulate a coherent vision of human flourishing under conditions of ecological limit, local responsibility, and shared fate.
2. Life and Historical Context
Berry’s life is closely intertwined with the social and environmental transformations of 20th‑ and 21st‑century rural America. Born in 1934 into a family of tobacco farmers in Henry County, Kentucky, he experienced first-hand the transition from labor‑intensive, diversified farms to highly mechanized, chemically dependent agribusiness.
Biographical Milestones and Context
| Year | Berry’s Life | Broader Context |
|---|---|---|
| 1930s–40s | Childhood on Kentucky farm | New Deal farm programs; Dust Bowl shapes conservation policy |
| 1950s | Studies at University of Kentucky; Stanford fellowship | Postwar boom; rapid urbanization and industrialization |
| Early 1960s | Teaching, travel, literary apprenticeship | “Green Revolution”; consolidation of U.S. agriculture |
| 1965 | Settles on Lanes Landing Farm | Civil rights movement; Vietnam War escalation |
| 1970s | Activist essays, The Unsettling of America | Rise of modern environmentalism, EPA, and Earth Day |
| 1980s–90s | Prominent public critic of industrial agriculture | Reagan-era deregulation; globalization of food systems |
| 2000s– | Continued writing and advocacy from Kentucky farm | Climate change debates; local food and “slow” movements |
Commentators often interpret Berry’s return to farming in 1965 as both personal and symbolic: a deliberate choice to inhabit the small‑farm way of life that U.S. policy and market forces were marginalizing. His writing registers the decline of rural communities, depopulation of the countryside, and loss of local knowledge that accompanied mechanization and corporate consolidation.
At the same time, Berry’s career overlaps with the emergence of environmental law, ecological science, and countercultural back‑to‑the‑land movements. Some scholars situate him alongside the Southern Agrarians of the 1930s; others see him as part of a broader late‑20th‑century ecological turn. His work is thus read both as a witness to the transformation of one Kentucky county and as a critique of global trends in agriculture, economy, and culture.
3. Intellectual Development
Berry’s intellectual trajectory is often described in terms of a gradual but deliberate convergence of literary craft, farm practice, and moral philosophy. Scholars typically distinguish several phases, emphasizing continuity more than rupture.
From Literary Apprentice to Agrarian Critic
In his early years (1934–1964), Berry’s primary formation was literary. University studies, time at Stanford under Wallace Stegner, and travel in Europe exposed him to modernist and realist traditions. Critics note that his early poetry and fiction already explore themes of memory, family, and rural change, but without yet articulating a systematic agrarian ethic.
The “agrarian turn” is generally dated to his return to Kentucky and the purchase of Lanes Landing Farm in 1965. Daily work with horses, soil conservation, and small‑scale husbandry provided experiential grounding for his emerging critique of industrial agriculture. Influences identified by commentators include:
| Influence | How Interpreters See Its Role |
|---|---|
| American Agrarians (e.g., I’ll Take My Stand) | Source of suspicion toward industrialism and defense of rural life, though Berry’s thought is often seen as more ecological and less nostalgic. |
| Ecological science and soil conservation | Supplies empirical backing for his concern with land health and erosion. |
| Christian and classical virtue traditions | Shape his emphasis on character, limits, and stewardship. |
Mature Agrarian Humanism and Late Reflection
From the late 1970s through the 1990s, Berry’s essays, fiction, and poetry converge into what commentators call a mature agrarian humanism—a comprehensive account of personhood, economy, and place. Works like The Unsettling of America, What Are People For?, and Sex, Economy, Freedom & Community display increasing engagement with political and economic theory.
In the 2000s and beyond, interpreters observe a stronger theological explicitness and a sharper critique of digital technologies and globalization. Some argue that his late work deepens a longstanding metaphysical and spiritual framework; others suggest it represents a partial shift from cultural to more overtly religious language. Across these phases, critics agree that Berry’s intellectual development is inseparable from his continuous, practical life as a small farmer.
4. Major Works and Literary Corpus
Berry’s corpus spans essays, novels, short stories, and poetry. Scholars commonly emphasize the interdependence of these genres: each illuminates his agrarian and ethical concerns from different angles.
Principal Essay Collections
| Work | Focus and Significance |
|---|---|
| The Unsettling of America: Culture & Agriculture (1977) | Foundational critique of industrial agriculture; links soil degradation to cultural and moral disorder. |
| What Are People For? (1989) | Essays on work, community, and personhood; widely cited in environmental and communitarian philosophy. |
| Sex, Economy, Freedom & Community (1993) | Explores connections between bodily life, economic order, and political freedom. |
| The Art of the Commonplace (2002, collected) | Curated selection of agrarian essays; often used as an entry point in academic courses. |
| Our Only World: Ten Essays (2015) | Later reflections on climate, war, localism, and limits. |
Fiction: The Port William “Membership”
Berry’s fiction centers on the fictional Kentucky town of Port William and its surrounding farms, depicting what he calls a membership of interrelated lives. Key novels include:
| Novel | Role within the Corpus |
|---|---|
| Nathan Coulter (1960) | Introduces Port William; early exploration of family and land. |
| Jayber Crow (2000) | First-person narrative of the town barber; reflects on belonging, celibacy, and community. |
| Hannah Coulter (2004) | A woman’s life story across mid‑century rural change; frequently studied for its portrayal of memory and loss. |
Short stories collected in volumes such as That Distant Land further elaborate the community across generations.
Poetry
Berry has published numerous poetry collections, including:
| Collection | Notable Feature |
|---|---|
| A Timbered Choir: The Sabbath Poems 1979–1997 | Meditative poems composed during Sunday walks; central to interpretations of his Sabbath and place theology. |
Critics emphasize that the essays provide explicit argumentation, the fiction dramatizes ethical and social dynamics, and the poetry offers contemplative, often liturgical, reflection on land and creatureliness.
5. Core Ideas: Agrarianism, Membership, and Place
At the core of Berry’s thought are interrelated concepts of agrarianism, membership, and place, which together offer an alternative to industrial and highly mobile social orders.
Agrarianism
Berry uses agrarianism not merely to describe farming but to name a normative vision of society. Proponents of this reading note that for Berry:
- Healthy cultures are rooted in small‑scale, diversified agriculture.
- Good farming is an art of local knowledge, humility, and long‑term care for soil and watershed.
- Economic and political arrangements should remain at a “human scale,” where consequences are visible and responsibilities traceable.
Some interpreters stress continuities with earlier American Agrarians; others emphasize that Berry’s agrarianism is more ecological, focusing on biodiversity, watershed health, and sustainable practices.
Membership
Membership is Berry’s term for the network of mutual belonging among people and the land in a given place. It involves shared work, mutual dependence, and recognition of common fate. In Port William narratives, membership is both gift and discipline: characters inherit obligations and limits along with benefits.
Scholars compare Berry’s membership to communitarian theories of embedded selves but note its extension to nonhuman creatures and ecosystems. Critics debate whether the concept is fully compatible with modern pluralistic societies.
Place
Berry treats place as morally and ontologically significant. Place is not just location but a storied landscape with memory, character, and limits. Knowing a place requires long habitation, attention, and work.
Commentators argue that Berry’s emphasis on place challenges abstract, placeless models of citizenship and economy. Supporters find in his work resources for “place‑based” ethics and politics; skeptics question whether such rootedness is feasible or inclusive in a mobile, globalized world.
6. Ethics, Economy, and Technology
Berry’s ethical thought is tightly bound to his views of economic life and technological scale. He presents these not as separate domains, but as interwoven aspects of how humans inhabit the land.
Moral Economy and Scale
Berry argues for local economies organized around households, small farms, and communities where producers and consumers know each other. Supporters interpret this as a form of moral economy, in which economic transactions are constrained by neighborly responsibility and ecological limits. Key themes include:
- Preference for small, diversified enterprises over large, specialized corporations.
- Critique of long, opaque supply chains that disconnect consumption from consequences.
- Emphasis on work that is meaningful, skillful, and answerable to local ecologies.
Political theorists have used Berry to explore alternatives to both laissez‑faire capitalism and centralized state planning, though they differ on how his ideas might be institutionalized.
Technology and Limits
Berry’s stance toward technology is frequently debated. He does not reject tools as such but insists that technologies be judged by their effects on land health, community integrity, and household competence. He has been especially critical of:
- Large‑scale mechanization and chemical agriculture.
- Digital technologies that, in his view, accelerate abstraction, distraction, and economic outsourcing.
Proponents see his criteria as an early articulation of “appropriate technology” ethics. Critics argue that his views understate the potential of green technologies, medical advances, or digital tools for democratic organization.
Across these debates, Berry’s central ethical claim is that economy and technology must be disciplined by limits—ecological, moral, and communal—rather than driven by open‑ended growth or novelty.
7. Religious and Theological Dimensions
While Berry writes for both religious and non‑religious readers, interpreters widely agree that his work carries a strong, if often implicit, theological dimension.
Christian and Biblical Influences
Berry identifies as a Christian and draws heavily on biblical motifs, though he has sometimes criticized institutional churches. Scholars of theology emphasize:
- A creation‑centered vision in which the world is seen as gift and sacramental: imbued with divine significance.
- Emphasis on stewardship and creatureliness, stressing human dependence, humility, and gratitude.
- Use of parable‑like stories in his fiction, echoing biblical narrative forms.
His oft‑quoted line,
“There are no unsacred places; there are only sacred places and desecrated places.”
— Wendell Berry, Given: New Poems (2005)
is frequently cited in eco‑theology to support a non‑dualistic view of nature and grace.
Sabbath and Rest
Berry’s Sabbath poems and essays articulate a theology of Sabbath as rest, restraint, and joyful acknowledgement of limits. The Sabbath is interpreted as:
- A weekly practice of non‑use and contemplation.
- A symbol for ecological and economic boundaries—limits on extraction, work, and growth.
Theologians connect this to Jewish and Christian traditions of Shabbat and Jubilee, seeing in Berry a contemporary development of Sabbath economics.
Reception and Debates
Some theologians hail Berry as a major lay theologian of creation and ecology, integrating agrarian practice with sacramental vision. Others question:
- Whether his theology is sufficiently Christological or ecclesial.
- How his local, agrarian focus addresses global and urban religious communities.
- The extent to which his religious language can be translated into secular ethical discourse.
Despite disagreements, Berry’s work is widely used in seminary curricula and eco‑theology to ground environmental concern in a thick doctrine of creation.
8. Methodology: Essay, Narrative, and Poetic Practice
Berry’s intellectual method is inseparable from his chosen genres. Rather than producing systematic treatises, he works through essay, narrative fiction, and poetry, each contributing differently to his agrarian philosophy.
Essayistic Argument
Berry’s essays are often described as moral polemics combined with memoir and practical observation. Methodological features include:
- Use of concrete farm and community examples to illustrate abstract claims.
- Reliance on etymology, close reading of policy language, and historical narrative.
- Repetition and incremental refinement across decades rather than a single comprehensive system.
Supporters argue that this embodied, place‑specific essay form enacts his critique of abstraction. Critics contend that it can lack analytical precision or engagement with technical scholarship.
Narrative as Moral Inquiry
In the Port William stories and novels, Berry practices what some scholars call narrative ethics. Instead of presenting moral rules, he:
- Shows characters facing disruptions—war, economic pressure, technological change—and making choices within a web of relationships.
- Explores consequences of loyalty, betrayal, leaving and returning, through multi‑generational storytelling.
Comparative studies link his method to writers like Tolstoy or Marilynne Robinson, noting that narrative here functions as a laboratory for testing ideas about community and place.
Poetic Contemplation
Berry’s poetry, especially the Sabbath poems, offers a contemplative modality. It focuses on:
- Close attention to seasonal change, birds, fields, and watersheds.
- Compression of his core themes—limit, gratitude, desecration, and renewal—into lyrical forms.
Some interpreters see the poems as providing the metaphysical and spiritual “undersong” of the more argumentative essays. Others highlight tension between the serenity of the poems and the sharper critique of his prose.
Across genres, Berry’s methodology aims to integrate thought and practice, inviting readers to imagine, feel, and reason about agrarian life rather than receive a purely theoretical system.
9. Impact on Environmental Thought and Political Philosophy
Berry’s influence spans environmental ethics, political theory, and related fields, though assessments of his impact vary.
Environmental Ethics and Agrarian Studies
Environmental philosophers and agrarian scholars frequently cite Berry as a key voice in place‑based and agrarian ethics. His work has contributed to:
- Development of land health and stewardship as moral categories alongside rights and utility.
- Critiques of industrial agriculture, informing sustainable agriculture, local food, and organic movements.
- Ecological readings of community and membership that extend moral concern to soils, watersheds, and nonhuman creatures.
Some academics treat Berry as a philosophically rich “case” of agrarian thought rather than a system‑builder; others incorporate his concepts into broader frameworks like virtue ethics or eco‑communitarianism.
Political and Social Philosophy
In political theory, Berry is often grouped with communitarian critics of liberal individualism. His emphasis on local economies, embedded selves, and shared fate has influenced:
- Debates over citizenship and civic virtue at local scales.
- Discussions of decentralization, subsidiarity, and “small is beautiful” governance.
- Normative critiques of globalization, militarization, and corporate power.
| Area | Forms of Influence Noted by Scholars |
|---|---|
| Communitarianism | Provides concrete, rural example of embedded community and thick traditions. |
| Green politics | Offers moral vocabulary for localism, resilience, and degrowth. |
| Economic thought | Inspires exploration of cooperative, household‑centered, and solidarity economies. |
Some political theorists, however, regard Berry as too rural and local to address issues of large‑scale justice, migration, and complex diversity. Others argue that his thought nonetheless provides important correctives to dominant models of progress and development.
Overall, Berry’s impact is often more interdisciplinary and cultural than strictly academic: his writings circulate widely among activists, religious communities, farmers, and educators, feeding into a broad conversation about how human societies might live within ecological limits.
10. Criticisms and Debates
Berry’s work has generated significant debate across disciplines. Critiques focus on historical accuracy, political adequacy, technological stance, and questions of inclusion.
Romanticism and History
Some historians and literary critics contend that Berry romanticizes pre‑industrial rural life, underplaying poverty, hierarchy, and exclusion in small communities. They argue that:
- His portraits of Port William underrepresent racial conflict, class stratification, and gender inequality.
- His appeals to tradition may obscure how those traditions were contested or oppressive.
Defenders respond that Berry acknowledges failures and tragedies within rural life, and that his agrarianism is normative rather than strictly descriptive.
Localism and Justice
Political theorists debate whether Berry’s focus on local communities can address large‑scale problems such as climate change, global economic inequality, or mass migration. Critics claim that:
- Strong localism risks parochialism or NIMBYism.
- Emphasis on place‑based membership might marginalize migrants, the landless, or those unable to remain rooted.
Supporters argue that Berry calls for hospitable, open communities and that robust local responsibility is a necessary complement—not an alternative—to wider justice efforts.
Technology and Modernity
Berry’s skepticism toward modern technology, especially digital tools and industrial medicine, is controversial. Critics suggest he:
- Underestimates the benefits of technology for health, communication, and environmental monitoring.
- Offers criteria that are difficult to apply in complex, globalized systems.
Others see in his work an important early warning about unintended consequences and argue that debates over “appropriate technology” vindicate some of his concerns.
Religious and Philosophical Debates
Theologically, some question whether Berry’s creation‑centered emphasis leaves Christology or ecclesiology underdeveloped. Philosophers sometimes fault his essays for limited engagement with technical literature, making his framework harder to integrate into analytic debates.
These criticisms form an ongoing dialogue, with Berry’s proponents and detractors using his work to probe tensions between local and global, tradition and progress, and technology and ecological limit.
11. Legacy and Historical Significance
Berry’s legacy is often assessed along literary, environmental, political, and religious dimensions. While he remains a living writer, patterns of influence are sufficiently clear for historical evaluation.
Literary and Cultural Legacy
In American letters, Berry is widely regarded as a major voice of late‑20th‑ and early‑21st‑century agrarian literature. His Port William fiction is compared to William Faulkner’s Yoknapatawpha cycle as a sustained exploration of a single region’s moral ecology. Educators and critics highlight his role in keeping rural and small‑farm experience visible in a predominantly urban and suburban culture.
Environmental and Agrarian Movements
Berry’s essays are frequently cited in environmental activism, sustainable agriculture, and the local food movement. Farmers, homesteaders, and community organizers have drawn practical inspiration from his advocacy of:
- Soil conservation and diversified farming.
- Community‑supported agriculture and local markets.
- Resistance to mountaintop removal, strip mining, and other extractive practices (especially in Appalachia).
Some scholars describe him as a bridge figure between 1960s–70s environmentalism and contemporary resilience and transition movements.
Political and Religious Significance
In political thought, Berry’s name appears in discussions of communitarianism, conservative localism, and green politics. His work has influenced actors across ideological lines—some religious conservatives, progressive environmentalists, and “radical localists” alike—making him a reference point in debates about the moral costs of globalization.
Theologically, Berry has become a staple in eco‑theology and Christian ethics syllabi. His creation‑centered vision has shaped how many religious communities frame ecological responsibility and Sabbath practices.
Historical Positioning
Historians increasingly situate Berry as a key critic of industrial modernity from within rural America, whose life and writing chronicle the decline and partial reimagining of small‑farm cultures in the United States. Whether his agrarian alternative is judged feasible or not, commentators generally agree that Berry has articulated one of the most coherent and influential visions of place‑based, ecological living in the contemporary period.
How to Cite This Entry
Use these citation formats to reference this thinkers entry in your academic work. Click the copy button to copy the citation to your clipboard.
Philopedia. (2025). Wendell Erdman Berry. Philopedia. https://philopedia.com/thinkers/wendell-erdman-berry/
"Wendell Erdman Berry." Philopedia, 2025, https://philopedia.com/thinkers/wendell-erdman-berry/.
Philopedia. "Wendell Erdman Berry." Philopedia. Accessed December 11, 2025. https://philopedia.com/thinkers/wendell-erdman-berry/.
@online{philopedia_wendell_erdman_berry,
title = {Wendell Erdman Berry},
author = {Philopedia},
year = {2025},
url = {https://philopedia.com/thinkers/wendell-erdman-berry/},
urldate = {December 11, 2025}
}Note: This entry was last updated on 2025-12-10. For the most current version, always check the online entry.